Cheers, toda oba, & dank u voor alles...

England was the first leg of my journey, and I experienced so many great gardens, gardeners, and landscapes there.I learned so much from Great Dixter. The gardeners there have such a passion for what they do, and it shows. The plant combination's are the most colorful and vibrant I have seen , and the skills and techniques that I learned there have been used over and over again since my time there and has helped make me a more confident gardener. The relationship that exists between home and garden really made itself understood during my time there.
Thank you Christopher Lloyd, though I have never met you, for providing such an opportunity for students, and for cultivating such passionate teachers such as Fergus and everyone else that I met while there. Cheers.

Next leg of my journey was Israel, which was one of the most exhilarating travel experiences I have ever had. Thank you to the British Friends of the Jerusalem Botanical Gardens, for making such an incredible scholarship available to students.
The lessons that I learned there are invaluable, not only to horticulture, but to life as well. I enjoyed the Jerusalem Botanical Gardens, the Dead Sea, the culture and food of Israel, and most of all, it's flowers and the friends I made while living there. The Mediterranean flora has been a very exciting thing for me to discover and learn about. Toda oba!

And then there was the Netherlands, in which my experience couldn't have been cast in a better light....
The experience I had at De Wiersse was the perfect ending to my adventure. As a kitchen gardener, it is satisfying to witness people enjoying what you have grown and seeing the pleasure it brings them. Food will neve be looked at again the same way for me. Being at DeWiersse allowed me the time and space to reflect on the many things I had encountered during the past year, and also to ponder the future. And the people I have met there couldn't have had a more positive impact on how I see things in life. Dank u voor alles.

My time away has been an incredible experience, a period of my life that I will go back to many, many times in my mind. It is bittersweet that it has come to an end, but that doesn't mean the adventure ends now that I have returned home. Now that I must utilize all that learned knowledge and push myself with all that I had encountered that was inspiring, the adventure has just begun.
Thank you for joining me on this ride......
Live well.

The Days of De Wiersse.....

At first arrival, I knew it would be different...

A garden where the beauty of the place is whispered and is still clearly heard,and you see it, reflected in all of it's details.

With its orchestra of bulbs,
it's emergence of lush green foliage,
or a field of yellow blooms, together they all helped herald the arrival of spring.
De Wiersse lead me down it's path,
shrouded my mornings with enchantment,
and bathed me in its warm light,
letting me end each day with a plethora of satisfaction.
I enjoyed the long path laden with Magnolia blooms,
or greeting it's geometric forms,
and hearing the buzzing of life in the meadow during summer.
Each moment carefully orchestrated and stored in my mind.

Boat rides in the outer moat , walks with Petal (yes, and you too Flopsy..),

and the nodding of the the Fritillaries in the wind, waiting for just the right moment to collect and distribute their seeds,

my mind and body floated languidly through each day,

lost in a haze

of fleeting moments.

Each day taking me further into my adventure.

To view the Rhododendrons from the boat seemed as if they floated above the water.

Each vista was special in its own way,

sometimes linking the interior of the garden with the surrounding landscape, never seeming forced.

The Wild Garden was a barrage of color with help from Foxgloves,

Azaleas and Bluebells, causing much excitement to my eyes.

And then there was the kitchen garden,

another slice of my paradise,

sometimes dream-like,

sometimes a flurry of organized chaos,it was a place to learn combinations,

to experiment,
and to watch life unfurl.
Oh, Sweet Williams,

heavy harvests,and the fruits of my labor,

time was lost in the richness of it all.

The kitchen garden enveloped me with its lessons,

and I was tangled in it's fine silky web

and thus, it brought me much, much happiness and delight.

Each day lined up new experiences,

new places to admire,

and secrets and surprises.

Two seasons have been found, and hopefully more will be unearthed,

and revealed in time.

The Sunken Garden, that lifts a smile to my face,
and provided many moments of solace
you made me giddy with delight.

It was a sight to watch your mood change,

from loud and vibrant,

to mysterious, I enjoyed it all the same,

never fully knowing where it would take me.

You shared your home with me,

and your food,

and your many, many flowers,

which inspired me tremendously,

over,

and over,

and over again.

It woke my spirits,

and pushed me further than I imagined it would.

My eyes, my enlightened heart,
charming flowers and smiles,I walk down my memory.
Thank you so much DeWiersse.xoxo

De Hoge Veluwe National Park

De Hoge Veluwe National Park is one of the oldest and largest continuous nature reserves in all of the Netherlands. The park was founded in 1935, is about 13,590 acres in size, and consists of heathland, sand dunes, woodlands, and lakes.

The park is roughly 50% woodland and 50% open land. The landscape is very dramatic, even more so with the dramatic light that the Netherlands are known for. Many artists were quick to capture the beauty of this light and immortalize it in their paintings, and for good reason, it is incredible.

Being a huge fan of color myself, it was a real treat to see all of the different tones and even the textures that the park had to show me. Over the course of my time here, I have visited this landscape three times, and find inspiration in it each time.

The self-seeding Scots Pine, Pinus sylvestris, is apparent everywhere here. It was noted that the pines grow outwards, instead of upwards here, due to excessive exposure to the strong winds that occur here.

While whizzing through one area on my bike, which the park provides for free(!), I saw a blur of yellow right next to the path and stopped to check it out.

This was blooming in my visit in July and I cannot i.d. this . Tofieldia sp.?Once again, my bike pulled me back to my surroundings, as the sun was pulled behind some clouds. There is a certain feeling one gets when in large open spaces that I love. Finally, my friend and I came across the beginning of the sand dunes. It seemed like a dark landscape to us, but its beauty was breathtaking none the less.
In an effort to expand the moving sand dunes, it looked as if some large trees were felled in the adjacent grassland.

Scots pine growing in the sand dune area.

My most recent visit, middle of September, had the landscape seem more alive since the heathland had come into bloom. I was very eager to come back to see this since I missed the opportunity in England.

Though the color of it was more subtle than imagined, but it still made its presence known in the landscape. Calluna vulgaris, grew in huge drifts of plant communities.

The Heather was not alive everywhere though, with large patches of dead areas. Still, the richness of nature kept me happy with its colorful tapestry.

This area, near a peat bog, revealed some small jewels if you looked hard enough.Such as this insect eating Sundew, Drosera rotundifolia. A tightly growing wood of Scots Pine.
Small clumps of Festuca ovina and

the low growing Sheepsbit Scabious,

Jasione montana which grows on dry grassy places and heaths.

While looking for plants most of the time, it was a great surprise to look up and see a herd of red deer on the outskirts of some of the woodlands.

My friends and I would always laugh at these signs we sometimes see. Though no wild roosters were seen, this place has exceptional beauty that I haven't seen much of anywhere else in the Netherlands. I have been there three times already and would love to continue to go back and explore at other times of the year... Oh, and the sign translates to "cattle grid skidding" which helps protect the animals by keeping them in this Dutch national park. No wild roosters, sorry.....

Kasteel Weldam

Walking down the shady country lane, one has no idea of the history and beauty that is about to reveal itself. Welcome to Kasteel Weldam.Kasteel Weldam is situated in the east of the Netherlands, and was built in 1645 and was then later expanded in 1897, though the property was first mentioned in the 12th Century. The castle itself is surrounded by a moat and is the heart of the estate, which all sits on 11 acres of grounds. The garden itself was designed by Edouard Andre (1840-1911), a French architect and a trained horticulturalist. Andre also worked on public parks throughout Europe, and in 1860, he helped Alphand and Haussmann re-design Paris with its famed boulevards and parks.

The garden is an Old-Dutch garden with a French character. While Andre designed the garden, he left the construction of it to his pupil Hugo Poortman.

Seen throughout the garden were box and yew, which were grown and clipped into hedges and forms. These were commonly used in gardens created during the 16th Century. Eventually plants that were in fashion during the 19th Century made there way into the garden, which would include rhododendrons, roses, shrubs and annuals.

These clipped forms took on a playful role as they seemed to waddle back and forth across the garden, though I am sure this was not intentional.

A fleeting moment quickly captured as Herons are always so fast to fly away.

One of the highlights of the garden is the hedge maze. Thuja was used to create this labyrinth that makes anyone feel like a child again. My friend Becky and I raced to the finish, which was a central watch tower that gave a beautiful view over the garden. This hedge maze was replanted in 1999, using the original design, due to people "cheating" by squeezing through the walls to get to the finish.

Here is Becky showing the scale of the hedge, which was around 7' high.

After the maze it was easy to lose track of time and marvel at how symmetrical the parterre hedges were laid out in the adjoining garden room. The maintenance of the box embroidery hedge is time consuming but immaculately executed. The real gem of Weldam was about to shine though... To the right of the garden was a tall hedge, that beckoned us into its dark clipped entryway,

only to reveal the most breathtaking beech tunnel I have ever seen. The

cathedral-like ceiling was only enhanced by its length of 475'! The Fagus sylvatica was trained over an iron frame that was originally built in 1887. This masterpiece created an atmosphere of hushed tones where you could not help but stare in awe and amazement. The tunnel was left with open gaps on purpose to have the play in light and dark, which emphasizes the incredible length of the tunnel. The octagonal tower was added on to the castle in 1888-1889.
Across the country lane that leads to the estate is the walled kitchen garden. It holds a number of small glasshouses, an orangery, and cold frames. The fruit and vegetables that are grown here are used by the family that live in the castle.

Orangeries made their debut at fashionable residences starting in the 17th Century. They were used in a similar way that greenhouses or conservatories are used today. Though the main purpose was to store citrus trees, and other exotic imports, they were primarily seen as a symbol of prestige and wealth on top of being an important architectural element.

A look inside one of the glasshouses revealed trained grapes growing inside to take advantage from the trapped heat of the sun. The view inside the orangery gave the romantic impression of the passage of memories and time ....

The Hague, Delft, and Utrecht

Since arriving in the Netherlands, it seems as if I have visited alot of cities and towns here. Maybe it comes from living in the countryside at the moment and always craving the opposite? Here are just a few photos of a peek into some of these places that I have seen. With the amount of water I have seen in this country, it has really changed my view of ways that it could be integrated into the garden. Here is the home of the Dutch Parliament and government offices, which seems even more grand by its reflection that helps solidify its importance.


Or what about this bridge in Delft that plays with function and form at the same time? It could've been just a simple arc bridge, but would it still catch your eye?

Or these homes, right on the canal, that help make Delft feel like you are a character in a Richard Scarey storybook? I had read an interesting story about how exciting it is for a child to be raised in Amsterdam. It spoke about how as a child, you are constantly ridden around on bikes, always next to the canals and it's water, and how all of the houses look like they are out of a fairytale- short, narrow buildings with playful roof tops.

It's not just the details that always strike me, but the whole picture too, such as the view towards the Cathedral in Delft... There are only shapes I see when I look at this photo- triangles, rectangles and squares. When looking at images, or views, I am always wondering how I would start sketching what I see.

There is a bit of playfulness in this contrast between old and new in Utrecht. Again, two simple shapes, make this otherwise common scene, a bit more interesting.

It seems everywhere I go, there is always something that looks like it was set up to look a certain way, to attract attention. This is not always the case though, since this is just

how the Dutch live their lives.....

Piet Oudolf

Closeby to De Wiersse is Kwekerij Piet Oudolf, the home, garden, and nursery of the well known Dutch garden designer, author and nurseryman. He has designed parks and gardens in the Netherlands, Sweden, Enlgand, Germany, and the United States and is part of the "New Perennial" movement.

In the United States, Piet Oudolf has put his mark on the Millennium Park in Chicago, Battery Park in New York, and most recently, the newly opened High Line in New York City. The High Line, with all sections complete, will be a mile and half long city park that is constructed on elevated train train tracks in Manhattan's West Side. I am excited to go see this when I get back home to NYC.

Piet's work is always a pleasure to look at and is a master at using texture and color. His gardens rely on mass plantings used in interesting combinations and the plants should have interest the whole season through, from foliage, to blooms, to deteriorating seedheads in the fall and winter. It is always wise to pay attention to the details of plants.....The nursery consisted of the selling area, a display garden, and there was access to the private garden too. Here is the display garden, with some of the very tall perennials that are used, such as Eupatoriums, grasses, Asters, Rudbeckias, and Helianthus.

All of the plants were labeled making it so easy to jot the name down, only to pick it up later and put it in your basket.

A display garden is the perfect way to sell plants, it is easy to get carried away and want it all...

A favorite of mine was Sanguisorba 'Busy Court'...

The lovely Echinacea purpurea 'Rubinglow'On to the private garden.. Neatly clipped Yew hedges mark the entrance to the private garden. Clipped hedges are very typical of the Dutch garden, and are noticeable almost everywhere you go.
More clipped but undulating hedges provided a backdrop for what seemed to be a chaotic symphony of blooms, seedheads and textures. The grass really seemed to emphasize the intense heat of the sun that day.

Another view of the magic.

The blooms of Echinops ritro 'Veitch's Blue' seem to be floating in a sea of Deschampsia cespitosa 'Goldtau'.

Amidst the plantings, Yew columns would rise up, giving more solidity to the garden.

Showing a bit of humor are these perfectly placed stone sheep. Sheep are common everywhere in the Netherlands.

The way out of the garden was a Beech arbor of an interesting shape. On the way through , you were able to get one last glimpse of Piet's creativity through windows cut out in the arbor.

Paleis Het Loo- inside and out

After walking down one of the long allees you finally come to the entrance of Paleis Het Loo, and enter its front courtyard. The large space feels immense, making the Paleis Het Loo that much grander. Paleis Het Loo means the 'Woods Palace' and is not actually a palace but it was used as a 'pleasure house'.

Paleis Het Loo is a Baroque building which was built between 1684 and 1686. It was the residence of the House of Orange-Nassau from the 17th Century until the death of Queen Wilhelmina in 1962, who ruled the Netherlands for fifty-eight years. In 1960 the Queen declared for the Paleis to be given to the State upon her death.

I had the pleasure of visiting this garden two times, the first as a visitor, and the second as a guest of the head gardener. It was interesting because even though I thought I took it all in while there the first time, you never really understand a place until you have an inside view.

Even before entering the gardens, you see the many Laurel trees and Orange trees in the wooden planters associated with Paleis Het Loo. It was customary to paint the square tubs white and the round tubs green, which are also throughout the gardens. These plants are put out in the warmer months and put back into the Orangery in the cooler months.

Wooden planters themselves didn't show up until the 1600s, so Paleis Het Loo was right on course with the times.

It is a different experience going to a historical garden. While you think you can understand what is going on, it is important to really scratch the surface and seek out the details that help define it.

The gardens are designed in the Dutch Baroque style. A Baroque garden is one that follows a formula that includes, perfect symmetry (which mirrors the house, thus bringing more attention to it), an axial layout with gravel paths and walks radiating outwards, and parterres that encompass fountains, basins and statues. These hedges can be with or without flowers planted amongst them.

There are a few areas to cover on the grounds. There is the King's Garden, the Lower Garden, the Queen's or Princesses Garden, and the Upper Garden. The King's garden has a bowling green which was used for various games and a parterre hedge of Boxwood. Here in the planting mix was a Geranium that had been staked so the plant grew up and displayed it's blooms on top, rather than it's typical habit of sprawling all over it's neighbors. This makes for a much more tidy effect. It is hard to see in the photo,

so I included a sketch from my garden journal to get an idea of how it was staked. Large gardens can seem so overwhelming sometimes to the eye and one way around this is through repetition. This can be done with shapes, colors, forms, plants and materials. Even the shadows play along with this theme using the embankment as their backdrop. Here the plants and pots are repeated and notice too that some of the plants used actually prefer the hot dry conditions that they are in. This means less maintenance on the pots and more time on other areas for the gardeners. The Lower Garden here, shows everything the Baroque garden represents, statues included. Formal gardens were a way to show status and also to show what could be done when nature and art were combined.It is exciting for me to look at the sculptures and ornamental vases in the garden too, since each has it's own story. Vases are used in the garden to accentuate changes in level and immediately brings the eye into perspectives. They help lead the eye up to take in the garden as a whole. This vase represents virtue, Virtus, with a woman holding a laurel wreath, above two cherubs and a globe. Another detail not lost were the cascading fountains flanking both sides of the descending stairs into the Lower Gardens. These fountains represent two rivers- the Rhine and the Ijssel, with the

Paleis Het Loo being built in the middle.

Here is another view of the Lower Gardens and it's plantings. Through the head gardener I was told that only plants pre-1700 are used in the planting scheme. History first is important with the bedding plants. Some plants, like Lobelia, just made it in though, coming in at 1699. phew..Here is a cascade with Arion, who is the god of quick decision making.

My favorite is the Narcissus cascade. The story of Narcissus goes as follows: He loved no one else until one day, while thirsty, he bent down to take a drink and caught sight of his own reflection in the water. He became fascinated and obsessed with his reflection, and while looking at himself he fell in and drowned, and was then turned into the flower of the same name. What is also interesting is that his mother was a nymph whose name was Liriope, which is the name of another plant. The south-west parterre holds the sun god Apollo,and the north-west parterre holds Pomona, the goddess of fruit, especially those grown on trees. The south-east side of the garden holds Flora, goddess of flowering or blossoming plants.

and to the north-east Bacchus, the god of wine.

If you think about the statues, it represents all that should be enjoyed in a garden- sun, fruit, flowers and wine...

On one side of the Paleis Het Loo, there is the Queen's or Princess's Garden. This was the private garden of Queen Mary, who lived in the apartments just above and therefore had a birds eye view of the parterre hedges. In this garden the plants used have flowers that have more of a feminine touch. Flowers associated with the Virgin Mary such as Aquilegias and Lilies are perennial plants used in these beds. These arbored pathways were incredible, not only for the skill it took to grow, train and shear them but with how they resembled the architecture around them, thus linking house and garden seamlessly. The Fountain of Venus serves as a central axis in the Lower garden,and a small fountain detail. There are tree lined canals which quietly usher you into another area of the garden. Originally Beech, Fagus sylvatica, were used but these were switched to Oaks during the restoration of the garden. This was so the branches of the full grown trees would be able to be pruned up the trunk so the view of the gardens beyond were not spoiled while looking from the Paleis.

The fountain acts as a focal point on the main axis while looking back to the Paleis.

Perspective is another trick that gardeners like to use, whether it is to create more space or some other trick to the eye. At Paleis Het Loo, once you reach the furthest end of the garden, you notice just the Paleis slightly rising from the hedges and the fountain as a focal point to emphasize how grand the gardens were.

There was a tour with the head gardener that took us to the boat house which had their Fucshia standards,a walk down a Medieval allee, and past a building called the elephant house where the exotic menagerie was kept. I was told that Napoleon tried to steal the elephants that were kept in this building from Paleis Het Loo, but they did not want to go to Paris. Eventually they were coaxed into going by feeding them biscuits soaked in gin.

It was a treat to get to see the cutting garden on the grounds. Paleis Het Loo is well known for its impressive floral arrangements that are displayed throughout the palace interior. Some of the cut flowers seen were Agapanthus, Tagetes, Crocosmia, Zinnia, Snapdragon, Amaranthus, Cornflowers, Nicotiana, Lathryus and many others. In some arrangements I had also seen Liriodendron tulipifera foliage mixed in for effect. For a cutting garden, this idea seemed to make perfect sense. A post was put into the ground, and around them sunflowers or dahlias would be planted. A string would then be tied around them to prevent them from flopping and falling over.

I leave you with one of the many beautiful arrangements seen inside...